ScriptBully Screenwriting AudioBooks by Michael Rogan:

Want your screenwriting awesomeness delivered directly into your ears? WorHow to Write a Screenplay Audiory not, Michael Rogan and the rest of the peeps have put together the following audiobooks:

How to Write a Screenplay That Doesn’t Suck Want to learn how to write a screenplay that doesn’t suck and can actually make you money? Want to know how to write a movie script that’ll get you the attention of managers, agents, directors, actors–the talent of the industry? Grab this audiobook and take your screenwriting chops to the next level?

How to Write a Movie Script AudioHow to Write a Movie Script With Characters That Don’t Suck Learning how to write a movie script is more than just figuring out the margins and hitting a few plot points along the way. (Sorry, Syd Field.) It’s about infusing your movie scripts with emotion, dilemma, and the best kick-ass characters you can write. Grab a copy of this audiobook to become a punk-rock movie character creatin’ machine.

How to Write With a Script With Dialogue That Doesn’t Suck Want to know how to write a script that people will remember, and can catch the attention of producers and other above-the-line talent? (Don’t worry about agents; they don’t want to talk to you. Nail your dialogue. Really. And this audiobook can make you a super-ninja dialogue faster than an Aaron Sorkin hallway monologue.

Selling a Screenplay in the 21st CenturySelling a Screenplay Audio So if you’ve got a script you think that kicks some major butt, and you’re looking for a way to crash the film industry and, hopefully, quit that crappy day job you’ve been slaving at, then give this audiobook a try.

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About The Author

Michael Rogan
Editor, ScriptBully Magazine
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Michael Rogan is a former screenplay reader and optioned screenwriter. He is also the founder and editor-in-chief of ScriptBully magazine, and has written a few non-sucky books including "How to Write a Book That Doesn't Suck (and Will Actually Sell)". He has made it his mission to help screenwriters kick ass - and rid the world of films based on action-figure lines.

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